glenn wilson & mattias fridell present: tonal path. solid chunky techno with fat vibes aimed at the big floors! under construction & heavy structure by glenn wilson and on the flip tony montana gets the rework by mattias fridell & glenn himself.

next vinyl only and ultralimited we can do it! open air smasher of an well known artist. sven väth heavy rotation!

another strong four track release by the new american techno label modularz which has been given heavy support & play by all the top techno djs in the international techno circuit. the revisted ep sheds more light on the various directions the label is headed as well as the attractive roster of artists that has helped make this label a must have for all techno fans both new and experienced. modularz focuses mainly on the grey area where techno & house have no separation tip!!!

next up on deep vibes comes sascha dive with his killer remixes of matthew dears >little people (black city)<. originally released on spectral sound (spc 101) as a digital-only package a vinyl edition had to follow due to public demand. for maximum sound quality the 20 minute version got shortened to a 15 minute >vinyl cut< (a1), while the >dub remix< comes in its original form on the flip-side (b1). sascha dive and matthew dear met on the road a few years back. in 2008 matthew dear featured a remix by the deep vibes boss on his watergate mix-compliation. when they played together in munich in august 2010 dear asked dive, if he wanted to do a remix for his upcoming album. the only condition dear asked him for was that it had to be the wildest and most crazy remix that dive could possibly do. little people (black city) is the probably strongest song of matthew dears recently released album black city. sascha dives remixes are on heavy rotation and played by a wide range of djs. make sure you get this joint in the box!

boundaryless ep fromnew producer, tessela, the first vinyl release for the west country (uk) producer. making some noise in the virtual world, this foray into vinyl is a mix of styles with the heavy emphasis on bass made all the more interesting by the pitched down vocals and synths. ravey but dubby, dark but fun, 3 tracks in all give a proper introduction to his developing sound.

maria colors celebrates the start of the new vinyl label with an excellent release of the duo taron-trekka who have already gained an impressive following with their records on freude am tanzen and brut!. for maria colors the two are bringing out their deepest deep house: >r.gelb< fuses heavy, powerful basses with an exciting composition while >handson< comes up with a detailed kind of deepness without ignoring stringency. two bombs which were virtually yearning to be released on vinyl.

incl. the hard to find reverso 68 club mix >> heavy vinyl / shrinkwrapping

ministry of sound/level recordings proudly present >badman riddim (jump)< – a monster reworking of dutch dj/producervato gonzalezs 2010 hit instrumental, with vocals from uk urban heavy weights – foreign beggars. massive remixes include, a huge d&b remix from shogun audio label boss dj friction, club mix, and a heavy bass driven re-rub from acclaimed underground duo trufix & thunderskank.

fantastic limited reissue of this amazing self-titled afro-funk lp from ghanaian singing and percussion star sidiku buari. originally released in 1975, this super-rare album features an all-star cast of top funk instrumentalists playing alongside buari and boy does it show! blending heavy african rhythms with funky disco grooves, the arrangements and the playing are incredibly tight and the album is chock-full of killer tracks including advice from father (sampled by everyone from kenny dope to groove armada) and ku ka maria with its intense funky breaks and awesome drumming from legend bernard ‘pretty’ purdie, which made these tracks huge on the b-boy/breaking scene also. other stand-out tracks include the wonderful disco-tinged afro monsters karam bani and iro le pa plus the cool laidback groove of them yebtheget. top class!

as we build up a head of stream moving into the summer months, we turn our attentions firmly to the dance-floor with two bass-heavy hitters from subterra. those of you familiar with the guildford residing dj / producer / promoter will already be well aware of his drum & bass pedigree. clocking up releases on ram’s subsidary label frequency as well as dispatch and sudden def subterra has a staunch following that regularly attend his rotation events across the south east of england. >gutter mouth< is as dirty as the title suggests. swirling pads and percussion build the suspense before an explosion of contorted bass sounds and snappy high end beats. >cold shoulder< is a collaboration with long term dj / production partner bazil. with its warm atmospheric opening it creates a sinister mood before tearing into a stepping bass-heavy workout. dj support from goldie, jubei, lenzman, spectrasoul, london elektricity & dlr & octane.

the production duo of dual process, aka dj java and dj ben j, have been in the drum & bass scene since before it was being called the drum & bass scene. initially as ravers, then djs, and now as producers, they have been witness to the progression of the various sub genres that are now present in todays spectrum of drum & bass music. after releases individually and collectively on several different labels dual process are ready to launch their own label aimed at the particular sub genre that they have successfully played in raves, clubs and on radio for the last few years. straight up, dance floor, jump up is whats going to be on offer from audio hostage records, and to kick things off we have two heavy slices of face churning, bass ridden, ignorance capable of setting mcs to self destruct and levelling any sound system. both tracks are getting heavy support from a range of djs and radio stations such as, hype, crissy criss, taxman, nicky black market, brockie, ss, jack frost, ash attack, hoodlum, logan d, profile, pappa g, vital elements, spice, origin fm and kool fm.

behind nomaton hides one of uppsalas true techno veterans. erik möller made himself a global name in the beginning of 2000 as the stripped down house musics champion with releases on labels including force tracks and sub static. he has played all over the world - from ibiza to tbilisi, and the audience at the legendary berlin clubs ostgut and watergate has been able to dance to his live sets. as unai his subtle technopop was hailed by all sorts of camps: from new york times to the wire, from house-djs to to pop connoisseurs. as he now comes forward with a new name, it is very much a return to roots. with nomaton he takes us on a trip to the dark heart of techno. a heavy-bass thumping heart full of dirty basslines, grinding rhythms and ecstatic minimalism.

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

returning for a fourth ep on the label, berlins nick höppner continues his exploration into an ever-developing and rich production vocabulary. the rough goes with the smooth in perfect harmony on -a peck and pawn-. höppners unique sound design leads to a dense wash of sound sparkling with airy details and his characteristic sub bass subtleties, as the whole track gels together in a pushing modern house triumph. the spaced out and traveling -she parked herself- is a real fusion of the many influences behind the producers inspiration. bubbling percussion and pretty melodic structures fuse with a melting analog bassline in this high-tech and positive jam. with its heavy bass and late-night atmospheres -swivel flick- slows the pace in a warm, dubbed and droning thinkpiece that is just as cinematic as it is direct for the club. jostling just beneath the surface youll find a wealth of details that really shows off nicks talent and dedication to a non-standard groove

a1: the ghetto - tremendous edit which has been subject to some huge soundcloud loving. over 9000 plays and 500 favourites and counting! this track takes the basis of the original sample, adding some love with a heavy beat and groove, shuffling percussion. the soundcloud feedback cant be wrong! top track!
b1: for the love of soul - great original track, this suonho reloved version is even better! given a heavy beat, re-arranged and some brilliant percussion. this track really flows, proper groover!

at long last, night slugs drop a ep from the labels co-founder bok bok. representing his full gamut of influences as well as his labels hypercolour, bottom-heavy, club-ready aesthetic, the southside ep is an extend manifesto of a release for the south london dj / producer.
the three tracks on the 12 inch share a core sound palette, one that merges raw and convulsive acid house with functionalist 8-bar grime: the warm sound of vintage drum machines and analog bass combined with the razor-sharp, dystopian digital dread of noxious sawtooths and gliding squares.

the ep opens with >hypnotic bass<, a track with a very groovy gnaoua rythm. the sound of the guembri gives the production a very warm sensation. next up is >deep medina<, the title track. a real journey, the vocals are strong while sidi mohammeds lute elicits shivers. the melody manages to sound traditional while modern at the same time. >for hou!!!<, the closing track, philip bader perfectly works the acoustic samples, resulting in a characteristically berlin minimal sound. the kick and the bass are very heavy.

if there is any country fitted for hard techno its poland and that just happens to be the country mental crush is from! devastating hard beats from the industrial part of the planet. dark, heavy, dark, nasty, hard and did we mention dark?

this is a special release to us at days of being wild, firstly because it s the return of catalepsia and he s in a mighty form, secondly because we felt very privileged to have artists of the calibre of sean and don getting involved and lastly the quality of the remixes they delivered left us speechless! so dope menace is an energetic dance floor stomper, centred around a very heavy beat and is indeed quite a menacing affair. built around a hellish, relentless string riff, the track is a dramatic, cinematic, dark mid tempo house number that could induces as much fancy foot work as it would head banging. jerome bazzanella, the man behind catalepsia has been releasing techno / house records for the last 3 years on various labels and compilations (synewave, remute, métis recoordings...) he likes to keep the tempo roughly between 110/120 bpm, favouring a heavy, efficient sound, with subtle sound effects and movements, in the tradition of the records from chicago and detroit.

nice price deal !!! following on from her acclaimed debut last year on jansen jardin, yuki suzuki and producer, max essa, return with another slab of far east magic entitled >we don?t have much time<. combining yukis sultry vocal with a very muscular, bass heavy groove, the track comes across like some pitched down (way down!) early 90s nyc garage classic. big, rolling drums push the track along while some glorious strings and piano make sure, as usual, jansen jardin have something for your mind, your body and your soul. on the flipside neville watson delivers one of his finest productions to date. pushing the tempo up and dubbing things out he provides a brilliant reworking which is already causing a fuss from tokyo to berlin. moody, emotional dance music for late nights and early mornings. one limited pressing - as before - first come, first served

soundproof are a dynamic duo from uk ripping out some deep and heavy dub thats tearing apart dance floors around the globe.
darkstar is a deep, punishing sub-line filled with smashing drums. the combination of elements, progression and sonic structure of this tune makes this one to play to the end.
shush! listen to the sub-line on this one… another deep, heavy spatial sub assault from the duo… making this a solid 12” press.
support from: shockone, vond, soundproof, headhunter, le lutin, hykus, dz badman, djunya, bombaman, matt-u, phetsta, dizz1, dj qbik, dj zeke, dj low, vishnu, saxon & tifa, ylem, de la haye, siblance, rekab, droid sector and many more

true to form, souvenir are back with a snappy summertime release perfectly hinged & ready for sweeping the dancefloors. souvenir 036 various artists features lewis boardman & maher daniel blending their sounds, and converging on this ep for some magnificent effects. the a side starts out with daniel - he is a new, but solid name amongst the techno-gambit, having released on labels such as get physical & bedrock, as well as on souvenir. while his remix workings of >rumblefish< earned him a 2 1/2 month long-spot as number one on the techno charts. with >here and now< with dark, driving techno that sounds like its been made inside of a blazing house-fire. burning & singed, the the layers fall heavy upon one another - with a penetrating dancefloor deep-ness to the bass. next up, >icaros< on the inside a track…spins a dark & deep nighttime soundscape, deep into the depths of a jungle somewhere. a distant & hollow vocal of a tribesman hums hauntingly in the distance, with a severe & driving bassline to make you run like a scared little raver deep into the jungle. on the b side, boardman takes over, one of the uks newest talents - recently remixing for nina kraviz & yousef - with >tranquilizer,< on b2 is quite a minimal retreat…with some intergalactic space-fight sounds thrown into the mix, alongside the rolling bass, and chug-chugging. b2 enters the title track, >the broken is beautiful.< a nice, chugging bass-line meets a ethereal chopped up vocal, carefully flowing in & out of the bass-line….to meet up strong midway thru the breakdown

slamming 4 track ep with cool edits !!

the berlin-based partnership of long-time friends steve bug and clé has reared many a classy deep house tune in its time… their classic silicon ballet ep from 2007 led us heavily into their sound, combining melodic, blissful elements with the heavy vibes of the old-school acid days. now were due another full ep with seven hills. the title track is a refined, long-playing stormer - perfect for the coming months as the summer weather stirs up open-air fever! from humble beginnings a riotous, epic track grows fusing the poker flat boys patented analog production and natural ear for a melody. heartfelt strings draw the track to its finale as a teasing breakdown arrives around the 6 minute mark. this is a real slow-burner in the best sense of the phrase. the more urgent monkeyshoulder drives a deep blazing night-time vibe all the way home. smooth, filtering chords and spacey stabs swirl in a magical futuristic-yet-classic house jam. simply deadly in the right moment, this bright and dynamic production really does justice to the pairs talents

>charecters< tom trago and awanto3 (aka steven de peven, one half of rednose distrikt) team up again for their alfabet project. two heavy and funky chicago loving house tracks that will put a >spell< on you! t.i.p.! this series is all about warm and dusty house music. it will run for 13 two track singles, totaling 26 tracks. each track representing a letter. >chicago thank you< is a homage to the city of chicago and its music. the infectious groove sucks you in straight away, the added funk half way keeps you moving. it sticks! more dirt on the other side, which contains the 10 minute plus >waus music<. this track demands you to listen to waus music (house music) all night long. its been doing some serious dancefloor damage around the globe already. great follow up to the first alfabet release

claque musique ready to unleash their latest offering, from an artist who has become a key member of the claque family, rio padice. having in recent years devoted time to learning the production techniques of the 90s, blending the use of software, hardware and sampling, his productions, unlike so much of the current trend for looking back, have a mature and studied classic sound and feel to them. his work this year has seen firmly rooted in the front of the most discerning of record boxes.rio follows his remix of micro_on (claquemusique10) with his very own woodland ep. as we have accustomed to, rio delights us with another selection of tracks that see him exploring and bringing together the best in classic sounds with his very own fresh contemporary spin. the beautiful trip through woodland opens the ep. a dreamy bass-heavy acidic number. much different is ocrons land, with its static sounds and almost industrial feel. mutant camels with its bubbling bass, rasping hats and dromedary movement rounds out the originals. remixing the title track is padova born alex picone. renowed for his releases on bass culture, mus and cadenza and fresh from the success of his fahrenheit single, alex ramps things up for the dancefloor on woodland, replacing the original acid line with some fresh guitar licks. perfect!

2nd techno shot from new french label jaygone music, and further step to bring you 4 heavy tracks for heavy sound systems. a-side includes groovy loop + fat saw synth in a dancefloor killer, and b-side is actually a 50% detroit hybrid. dont even have to choose, thanks 4 tracks vinyl

a1 volta cab & the legendary 1979 orchestra -­ the ideal now: this track planted the idea for a collaborative release. a superb house track for the summer months, what a bomb! the track has an amazing groove, melodic keys and heavy percussion. feel good stuff!.
a2 volta cab -­ sakura: volta cab at his best, a chilled out deep house. huge atmosphere on this one, deep bass and gentle percussion gives a slow groove.
b1 the legendary 1979 orchestra ­- juicy warmth: this is the track that attracted us to 1979. chopped samples, nice atmosphere and a killer bass ­ just how we like it!
b2 volta cab - in the middle of the night: volta rounds up the release with a slow and sexy, deep house beat. a big vocal sample, beautiful brass and tender percussion. killer!

2000black is back on wax with 2027black, a huge release from shokazulu.
a-sdie: part 4 - funky bass really stands out on this track. cool synths, keys and an awesome groove from the percussion. big, big track!
b-side: dis yah one i love - heavy track with a garage feel to it. breezy synths tie it down but the real focus is on the percussion, the beat is tremendous!

fearless tearout zomby dubstep tracks from 2methylbulbe1ol where extremely heavy beats, massive bombing synthlines, futuristic and sci-fi ambiences are mixing with a clinically clean production! following his split 12 inch with niveau zero on ruff and an excellent release on the label komod.o dragon, 2methyl… joins again the ruff roster with this time a powerful solo ep. guaranteed to destroy any dancefloor!

dreamy floaty melodic techno on this mos release. with a heavy remix from morphosis. very nice! label boss aroy dee signs for his already 8th release on his own mos recordings label. the track >beauty< reminds his labels first release, a basic dreamy melodic house track. on the b-side we find man of the moment rabih baeani aka morphosis dropping a heavy remix. hot on the heels of his praised >what have we learned<-album takes his dark dusty >cabinet<-remix all things in perspective.

if you will permit me to get a little honors english on yall, classical scholar sir richard livingstone once stated that >our danger is not too few, but too many options ... to be puzzled by innumerable alternatives.< say what? well, take flo ridas predicament on new david guetta single where dem girls at: upon stepping into the club, so many fly females catch his eye simultaneously that he finds himself incapable of deciding where to begin. as hes struggling to resolve this deadlock over the veteran djs stark synths and four-on-the-floor percussion, an especially alluring specimen swoops in to make the decision for him - not only is she gonna kick it with him, but shell bring her equally fly friends along for the ride. playing the woman in question, young money heavy-hitter nicki minaj attacks the beat as only she can, dropping what may well be her most off-the-wall guest 16 since monster. so, readers, this dancefloor-scorcher + remixes on this vinyl will whet your appetite for more body-moving bangers, no doubt about that

180g heavy vinyl including code for free album download.

nice price deal !!! yes yes people, we are back! its been a while, but we are going to be hitting you with some seriously good tunes this year, so watch this space. anyway, on to the music: if you like your tunes big fat and heavy like an elephant on steroids, then get ready for an absolute pasting from new boy on the circuit, depone! depone is a producer that has really caught our ear at the z audio towers of late and when you hear these tunes, i m sure you will understand why. all 3 tunes are fierce, dirty, gritty, disgusting and overall very well produced. the great thing about depone is that he manages to create in your face music without pointlessly wobbling the lfo filter. theres some real depth to this young talent and i m sure you will be hearing some more great music from depone in the very near future.

his debut four track ep highlights his individual approach to song writing with the gorgeous, deep and moody >i am machinery<, a fitting title for a track where the human voice integrates seamlessly into the analogue electronics of the machines. >pointers’ changes the mood and aims at the dancefloor, with strings and synths fully indebted to detroit techno, but with a constant human touch from his jazzy scat cutting in and out of the heavy groove. >some days< has the biggest sound on the ep with multiple vocal tracks layering over the crisp drums and pulsating synths. hes combined his keen ear for melody and a firm grasp of the dancefloor for this track, making it many djs favourite on the ep due to a club friendly structure, yet striking originality. >set myself on fire< closes the ep at a mellow tempo, and can easily hypnotise the listener with its repetitive vocals, haunting whistles and sleazy beats. this is only for the beginning for debukas, these four tracks are just an introduction to one of the finest talents from the uk electronic underground

maurizio vitello returns to metroline with some seriously deep bass-driven techno. a devastating ep. the lead track is a driving, stripped down techno groove. full-bodied toms and a seriously fat bass keep the track rolling while filtered vocals and understated synths add the dynamics. heavy! looking good keeps that groove going with a bassline so heavy you will have to pick yourself up off the floor. a bubbling percussion break evolves throughout the track, building in complexity, but kept in check by some nice metronomic hats at the high end. on movers maurizio lets the drums do the talking. everything locks tightly around the solid kicks. the multi-layered break adds a sweet cubano vibe that you simply wont be able to shake off. let the bass drrrrooopppp! pleased? yes we are. this playful track is going set the summer floors on fire. vocal samples weave in and out of the mix, and sharp-as-a-needle 80s-tinged synths stab through the deep, heavy rhythm track to awesome effect.

sonicultures label boss expander kicks it with an ep that will rock the most demanding dance floors. oh yes, the sweet sound of techno fills our ears with joy as we listen to two original tracks and a remix from well-known producer tadeo. >the waggler< is a bass driven ride on a roller coaster of madness. nifty synths and processed sounds are combined and mixed in a progressive manner, leading to a journey where flows of energy go different ways. the moments are there. the music is powerful. as it should be. spains own techno master tadeo from cyclical tracks, delivers another approach to >the waggler<, making it more pumping and enhanced with a touch of retro and a combination of futuristic sounds. a great remix from one of the most talented producers in the current scene. with >the wiggler<, expander rides towards a more hypnotic direction, still fuelled by heavy basslines and analogue sounds. the synth arrangements are totally mental and there is a sweet touch of darkness to the composition that makes everything even more interesting. are you a waggler or a wiggler? the choice is your

following up their awesome 12 inch on claremont 56, almunia (leonardo ceccanti and gianluca salvadori) unleash their debut lp with a sweet heady mix of overdubbed disco, guitars and psyched out grooves.
deluxe 350gsm gatefold with heavy weight printed inner sleeves on uncoated stock, limited to 300 handnumbered copies.

one night stand is jam factorys third release, a collaboration with new york-based vocalist mattie safer (formally of the rapture) over two 12 inches. this first 12 inch features the original version - a piano-driven chicago style anthem with heavy drums and a touch of acid. mattie delivers a classic house performance in his own instantly recognisable style. on the flip are two different dubs, one an incessant barrage of pianos, the other a thick slice of acid. this release is only available on vinyl.

the black tokyo project cd has been very successful for the enigmatic duo from detroit along with their two new japanese members ice truck and erika. remix sessions 1 embodies some of techno music hottest and charismatic artist such as bpitch control ellen allien, planet es keyboard guru niko marks from detroit and canada live impresario arthur oskan. ellen allien remix real to reel gives a tight minimal beat driven retake on an aux 88 funky groove. rounding out side a aux 88 original previously only available on the full length cd. side b shows why niko marks can take the >title track black tokyo< in a more kraftwerken sort of way with heavy beautiful strings and funkified groove. soul of black shows arthur oskan dance production skills as he delivers a bonafide minimal bass driven delight.

the newly crowned dutch emporium of all things disco tinged swiftly presents a second round of vinyl-only gems - commencing with the classic philly disco boogie strains of >just cant get enough< which contains just the right amount of deviations into sonic filtration. complementing this is the instrumental boogie heat of >lets go swingin< which fully demonstrates the majestys pleasure talent for slicing and dicing the groove. turn over for the insistent chugging sounds of >tainted binary< which unfolds brilliantly into a string heavy disco epic. the best is perhaps saved for last as >didnt mean to dub u off< reveals itself as a crystalline filled excursion into 80s proto house excellence.

yam who?s ism label come through with a four track slice of disco centric futurism, featuring the man yam himself alongside pbr streetgang and ron basejam. its the latter who takes the lead with a remix of alenas >changes< that sees her sultry vocal teased by a most excellent of analogue synth leads that splurges brilliantly across the crisp mid tempo chug. yam who? teams up with vocalist natasha watts for the similarly bottom heavy bump of >i m in love< which has a certain warehouse appeal to it. on the flip, pbr pay respect to the godfather of soul james brown with the gritty flex of >j2thab< with the sadly departed mr brown strangely sounding at times like he wants to go to tesco. we always took him for a waitrose man, but regardless this is probably the track you will reach for most! finally brothers young do their thing to a trammps classic, with little more than the bassline retained.

popping up on labels like 8bit, supernature and tsuba, releasing quality tech-house and club-assured cuts since 2008, we are delighted to welcome german producer alex niggemann to poker flat. this new ep raises niggemanns game with three tracks taking in heavy acid bass, chicago-house vibes and inventive, smooth flowing arrangements. >lately< is a real stomper in the classic poker flat tradition. haunting, acidic, modern, club guaranteed! niggemann twists a spooky and funky synth line around a heavy old-school house vibe, complete with a thoughtful smokey-voiced naration. >madness< lifts the tension higher with a sub-heavy chigaco bass attack, 2011 style. alex has fused the best of both old and new and found a new sound that leaves behind rigid sound in favour of more funky, warmer and totally fresh vibes! the ep concludes with >smash your face<, a groovy houser that rolls wonderfully with more growling square wave bass and plenty of details to keep the flow nothing short of riveting!

a1: memoryman - turned on: this track has a super groove. beautiful use of vocals as ever from memoryman. the bass is sublime with a touch of funk! killer track!
b1: ltj - the bull: heavy hitter, big bass with equally heavy drums. a huge track as always from ltj, vocal is typical of his superb style. all round big track!

party guaranteed, sub heavy & subtly rhythmical world musics infected deadly sounding techno cuts - tip!

the second release on johannes volks own label exploration. >energy field< is a powerful peak time bomb, growing with each passing second! the title track >across the emptiness< comes with a wall shaking sub-bass, stormy chords and a retro-futuristic sound design. on the b side we have >isolation<, a dub infected piece of music with complex organic textures. and finally >devoted to microgravity< with its heavy drums, toms and cowbells. vinyl only!

180g vinyl, heavy duty plastic wallet. original sleeve design and inner bag. real collectors item, limited pressing.

after a successful first year for berlins soulfooled label starts 2011 by presenting the most successful tracks of 2010 remixed on sfld004. we are proud to share remix works from roberto rodriguez, salvatore freda and fritz zander with you. on the a-side salvatore freda delivers an heavy - oldskooled based - peaktime stomper remixed from david durangos >walk in your skin<, while roberto rodriguez creates a musical masterpiece using terje bakkes groove of >tango orange< and composing a musical 303 journey at its best. last but not least fritz zander shows that alex niggemanns tribal original (jewels) can be remixed in a total moody way and presents a perfect opener for sunny open-airs.
supported by: jimpster, m.a.n.d.y, anja schneider, ben watt, luna city express, catz n dogz, jozif, marc romboy, nic fanciulli, nick curly, phonique, till von sein, martin eyerer, gel abril, anthony collins, sis, gorge,..